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The Synth-Pop Duo's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell with Marc Almond in Leeds during 1977

The talented musician, one half of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the team achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is regarded as a classic of electronic music.

He later founded the pioneering electronic act The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball passed away peacefully in his sleep at his residence in London on Wednesday 22 October, just weeks after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, following a spate of health issues.

"I managed to injure myself quite a bit," he stated in 2023. "I broke spinal bones in my back and cracked about multiple ribs and fractured my wrist."

After contracting pneumonia and suffering from blood poisoning, he was put in an induced coma and remained in hospital for half a year.

However, he had been in "high spirits mentally" during the warmer months, as he was developing a fresh record with Almond, titled the upcoming Danceteria, which is scheduled for publication next year.

"He was focused and so happy with the latest project that we actually finished only a few days ago," said the singer in a tribute.
"It's so sad as next year was completely planned to be such an positive year for him, and I take some solace from the knowledge that he listened to the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the early 1980s

Tributes

Almond referred to his bandmate as "an exceptionally talented musical genius", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an immense aspect of my life and for the music you created with me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "steadfast support".

"Being in a duo with someone is distinct from being in a group, the bond is incredibly close," he continued.
"That's how it was with us. We experienced so many remarkable, incredible, memorable moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Early Life

Brought into the world into a single-parent household in Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He was raised in the seaside town with his new family Donald and Brenda Ball, who altered his given name from Paul to David, together with his younger sister his sister, who was also adopted.

He encountered Almond at Leeds Polytechnic in 1977, where they were both studying fine arts. Inspired by a shared love of a music genre, they established Soft Cell the very year, and promptly recorded an extended play.

Creative Collaboration

The duo were an unusual pairing: Ball was the reserved musician, hunched over his keyboard, while Almond was a charismatic performer, all glitter and eye-liner; but they attained a unique creative synergy.

Ball had cultivated a interest with electronic instruments after viewing Kraftwerk perform on BBC program a popular series, and began to marry dark electronica to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of 1981, shifting 21 million units globally. Alongside successful tracks by other artists, Human League and Ultravox, it helped cleared the path for the electronic music style of the 1980s.

The track was also featured on their full-length debut, their initial LP, which spawned two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The pair were working on fresh songs right up until Ball's death

Professional Journey

Success had its benefits. "I loved being able to purchase my first home, having financial security and exploring, which makes me sound like a Miss World," Ball not long ago told with a music magazine.

But it also presented challenges. "Newfound wealth allowed we could afford substances to relieve the monotony" of media interviews and TV performances, Ball explained.

"I know that's a cliché, but it's a cliché for a good reason, because it works for so many musicians."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they succeeded to create a second classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out one more LP, 1984's This Last Night In Sodom, before dissolving the band to focus on other projects.

Almond went on to have a successful solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with ambient pop over a enduring partnership.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the Top 40 record Cruelty Without Beauty.

After a further break, they reappeared in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, 2018.

However, they remained active, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently characterized the band's new album as a homage to the NYC nightlife they visited while making their initial records.

He noted that his time in hospital had influenced the band's sound.

"I had strange recollections when I was coming and going of hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a digital reflection of the noises in my mind from that time.
"Simultaneously, it's about the experiences we got up to in the 80s."

The last versions were finished only a short time before Ball died. It is scheduled for release in the spring of 2026.

By

Rose Church

Tech journalist and futurist with a background in computer science, passionate about demystifying emerging technologies for a global audience.

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